Writing as Creative Critical Practice

The starting point is the notion that critical writing about visual culture (in particular, but not exclusively,art) can flirt with subjectivity and yet retain its criticality.

The late British art critic, Stuart Morgan, argued that criticism can at best only provide the 'half-truth' and that, indeed, this fact should be embraced rather than resisted or resented.

I am starting from this position and exploring the possibility of a model for the interpretation and evaluation of art (in the broadest sense)